In a sun-drenched meadow, demarcated by willows, a farmer in a blue smock milks a black and white cow. The work is typical for one of the attractions of the paintings in the Hague School: the feeling of sharing an experience of nature with the artist.
Often the painter chose a sudden event in nature: a passing incidence of light between trees, a cloudy sky that breaks open, an imminent thunderstorm or even a rainbow. These phenomena, which disappear as quickly as they arise, demanded an extremely rapid method of working from the artist, in which he permitted himself to leave out unnecessary details.
Often the final painting still showed traces of that rapid observation. For the conservative art lovers, this lack of detail was an indication of incompetence. For artist groups such as the Hague School and the Barbizon School, this way of painting was an innovation with enormous significance.
Specifications
Title | Milking cows amidst willow trees |
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Material and technique | Oil on canvas |
Object type |
Painting
> Painting
> Two-dimensional object
> Art object
|
Location | This object is in storage |
Dimensions |
Width 21 cm Height 32,5 cm |
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Artists |
Painter:
Johan Hendrik Weissenbruch
|
Accession number | VdV 88 |
Credits | Loan Foundation Willem van der Vorm, 1972 |
Department | Modern Art |
Acquisition date | 1972 |
Creation date | in circa 1880 - 1890 |
Collector | Collector / Willem van der Vorm |
Internal exhibitions |
De verzameling Willem van der Vorm. Schilderijen van Hollandse en Franse meesters uit de 17e en 19e eeuw (1950) The Collection Enriched (2011) De collectie als tijdmachine (2017) |
Material | |
Object | |
Geographical origin | Northern Netherlands > The Netherlands > Western Europe > Europe |
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All about the artist
Johan Hendrik Weissenbruch
Den Haag 1824 - Den Haag 1903
Johan Hendrik Weissenbruch's father was a collector of works that included those of the painter Andreas Schelfhout. The influence of his work can be seen in the...
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