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Folio from the Gozzoli Album: Eagle's Head and a Camel, Both in Profile

Folio from the Gozzoli Album: Eagle's Head and a Camel, Both in Profile

Benozzo Gozzoli (in circa 1450-1460)

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Specifications

Title Folio from the Gozzoli Album: Eagle's Head and a Camel, Both in Profile
Material and technique Pen and brush and brown ink, brown wash
Object type
Drawing (verso) > Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 229 mm
Width 160 mm
Artists Workshop of: Benozzo Gozzoli
Accession number I 562 14 verso (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1450-1460
Collector Collector / Franz Koenigs
Provenance Biblioteca Trivulziana, Milan, Codex Triv. 2145; probably acquired by Don Carlo Trivulzio (1715-1789); by inheritance to Luigi Alberico Principe di Musocco Trivulzio (1873-1938); Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in the years 1925-1930; D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Internal exhibitions De Collectie Twee - wissel II, Prenten & Tekeningen (2009)
Research Show research Italian Drawings 1400-1600
Material
Object
Technique
Washing > Wash > Drawing technique > Technique > Material and technique
Washing > Wash > Drawing technique > Technique > Material and technique
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Albert Elen

This is a folio from a hypothetical lost drawing book, a remnant of which is now part of an eighteenth-century album called the Gozzoli Album, held in Museum Boijmans Van Beuningen. For a general description, see here.

This page was originally folio 44 recto in the hypothetical lost volume (now a verso in the album).

The eagle’s head goes back to models by Pisanello (1395-1455), such as one in the Codex Vallardi, now in Paris.[1] The camel (not a dromedary) is related to the two camels in the long retinue of the Magi depicted in the landscape background of Gozzoli’s fresco The Journey of the Magi on the west wall of the Cappella dei Magi in Palazzo Medici, Florence.[2] The motif is also found in the tondo with The Adoration of the Magi by Domenico Veneziano (1410-1461), now in Berlin, which was probably also painted for Piero di Cosimo de’ Medici (1416-1469), but earlier around 1440-43, and may have been an easily accessible source of inspiration for Gozzoli and his pupils.[3]

Footnotes

[1] Musée du Louvre, inv. 2503 recto.

[2] Montefalco 2002, p. 112, ill.; Florence 2021, p. 65, fig. 9.

[3] Staatliche Museen, Gemäldegalerie, inv. 95A; Ames-Lewis 1998, p. 27.

Show research Italian Drawings 1400-1600
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All about the artist

Benozzo Gozzoli

Florence circa 1420 - Pistoia 1497

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