Daubigny, like his friend Corot, was one of the older landscapists who was much appreciated by his younger colleagues. He was a great champion of painting out of doors, and as such was a link between the pioneers of that approach in Barbizon and the later Impressionists. It is not surprising that a little painting like this appealed to Monet.
Specifications
| Title | Coastal View at Villerville |
|---|---|
| Material and technique | Oil on panel |
| Object type |
Painting
> Painting
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Height 19 cm Width 38 cm |
|---|---|
| Artists |
Painter:
Charles-François Daubigny
|
| Accession number | 2594 (MK) |
| Credits | Acquired with the collection of D.G. Van Beuningen, 1958 |
| Department | Modern Art |
| Acquisition date | 1958 |
| Creation date | in circa 1858 |
| Collector | Collector / D.G. van Beuningen |
| Internal exhibitions |
The Collection Enriched (2011) |
| Material | |
| Object | |
| Geographical origin | France > Western Europe > Europe |
All about the artist
Charles-François Daubigny
Parijs 1817 - Parijs 1878
Charles François Daubigny's father was a painter and his first teacher. After a trip through Italy in 1836, he worked for some time as caretaker in the Louvre...
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