The chance arrangement of the painting materils of the artist Fischer-Lueg has literally been pinned down on his work table, the top of which is then hung on the wall as a threedimensional painting. In this way a chance moment has been elevated to aesthetic reality. Spoerri has also exploited Fischer-Lueg's use of phosphorescent paint, in the dark, when only the remains of paint in the tins are luminescent, the work looks like an abstract Tachist painting, only to return in daylight to the chaotic reality to which the palette owes its existence.
Specifications
| Title | Palette Fischer-Lueg |
|---|---|
| Material and technique | Chipboard, paper, tin, cardboard, wood, textile, phosphorescent paint, glue, acrylic, ink, polyethylene, polyester, metal, adhesive tape, rope, varnish, resin, glass, hair and organic materials |
| Object type |
Assemblage
> Three-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Width 224 cm Height 105 cm Depth 24 cm |
|---|---|
| Artists |
Artist:
Daniel Spoerri
|
| Accession number | BEK 1538 (MK) |
| Credits | Purchased 1976 |
| Department | Modern Art |
| Acquisition date | 1976 |
| Creation date | in 1968 |
| Research |
Show research Digitising Contemporary Art |
| Material |
Textile
> Worked fibres
> Fibre
> Vegetable material
> Organic material
> Material
> Material and technique
|
| Object | |
| Geographical origin | Romania > Eastern Europe > Europe |
