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Standing Woman with Three Children (Caritas)

Standing Woman with Three Children (Caritas)

After: Andrea del Sarto (Andrea d’Agnolo) (in circa 1550-1600)

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Specifications

Title Standing Woman with Three Children (Caritas)
Material and technique Black chalk, pen and brown ink, brown wash
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 296 mm
Width 193 mm
Artists After: Andrea del Sarto (Andrea d’Agnolo)
Maker: Anoniem
Accession number DN 131/28 (PK)
Credits Gift Dr A.J. Domela Nieuwenhuis, 1923
Department Drawings & Prints
Acquisition date 1923
Creation date in circa 1550-1600
Inscriptions 'A di Sarto' (below right, black chalk), 'Andrea dl Sarto' (verso, above centre, pen and ink), ‘139’ (verso, below left, pencil), ’19 [?]’ (verso, centre, pencil)
Collector Collector / Adriaan Domela Nieuwenhuis
Provenance Dr. Adriaan J. Domela Nieuwenhuis (1850-1935, L.356b), Munich/Rotterdam, donated with his collection in 1923 (Andrea del Sarto)
Research Show research Italian Drawings 1400-1600
Material
Object
Technique
Brown wash > Washing > Wash > Drawing technique > Technique > Material and technique
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Klazina Botke

Andrea del Sarto, 'Charity', c.1513, fresco, Chiostro dello Scalzo, Florence

This drawing, set down in black chalk and worked up with pen and brush, is of a woman lovingly protecting three children. With her head turned to the right, she looks at the child she carries on her shoulder while affectionately resting her left hand on the other little boy’s head. The third child sits on the ground, partially hidden behind the flowing skirt of the woman’s elaborate gown. She is the personification of Charity (Love), one of the three theological virtues St Paul describes in the Bible: ‘So faith, hope, charity abide, these three; but the greatest of these is charity.’[1] With prudence, justice, temperance and fortitude, they are the seven virtues the Roman Catholic Church decrees for a good life. The three children symbolize dependence and unconditional love.[2]

The drawing is a free interpretation of a fresco by Andrea del Sarto (1486-1530) in the Chiostro dello Scalzo in Florence (1508-26). Alongside scenes from the life of John the Baptist, he painted the personification of four virtues, among them Charity (fig.). This image, made entirely in shades of grey (a grisaille), gives the illusion of a sculpture: the woman with her children looks like a statue standing in a niche. Del Sarto’s composition was followed and adopted by, among others, the Dutch painter Jan van Hemessen and the workshop of Paolo Veronese (1528-1588).[3] All the elements of the composition – the child hidden under the robe and the positions of the mother and the other two children – were changed to varying degrees in the Rotterdam study.

Footnotes

[1] 1 Corinthians 13:13.

[2] See also Ripa 1625, p. 94.

[3] Jan van Hemessen, Charity, 1566, after Andrea del Sarto, private collection Giuseppe Bossi, Milan; Veronese workshop, Charity, second half of the sixteenth century, Bayerische Staatsgemäldesammlungen, Staatsgalerie in der Residenz Würzburg, inv. 445.

Show research Italian Drawings 1400-1600
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All about the artist

Andrea del Sarto (Andrea d’Agnolo)

Florence 1486 - Florence 1530

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