Composition Study for 'The Nativity', from the collection of Musée du Louvre, Paris.
The desired framing of the painting is already indicated in this composition study. The landscape is sketchily indicated with slender trees and to the right there is a corner post of the ramshackle wooden stable. The artist ultimately painted this on the left, to counterbalance the two strolling angels on the right. He also modified the main figures, especially the Virgin Mary. The angels at the top of the painting were not yet included.


Composition Study for 'The Nativity'
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta) (in circa 1504-1507)
Specifications
Title | Composition Study for 'The Nativity' |
---|---|
Material and technique | Black chalk, heightened with white, on grey prepared paper |
Object type |
Drawing
> Two-dimensional object
> Art object
|
Location | This object is in storage |
Dimensions |
Width 211 mm Height 287 mm |
---|---|
Artists |
Draughtsman:
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta)
|
Accession number | I 563 M 96 verso (PK) |
Credits | Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940 |
Department | Drawings & Prints |
Acquisition date | 1940 |
Creation date | in circa 1504-1507 |
Collector | Collector / Franz Koenigs |
Internal exhibitions |
Fra Bartolommeo (2016) |
Material | |
Object | |
Technique |
Prepare
> Prepared
> Shaping techniques
> General technique
> Technique
> Material and technique
Prepare
> Prepared
> Shaping techniques
> General technique
> Technique
> Material and technique
Highlight
> Painting technique
> Technique
> Material and technique
|
Geographical origin | Italy > Southern Europe > Europe |
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All about the artist
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta)
Florence 1472/1474 - Florence 1517
Fra Bartolommeo is one of the most illustrious artists of the Italian High Renaissance. Born Bartolommeo di Paolo, he was also called Baccio della Porta. On...
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