This is the most remarkable of the many preliminary drawings for the Pavia ‘Pietà’ because it was made from nude models. Two male
apprentices or ‘garzoni’ posed for the fgures. In the drawing the artist has focussed on the musculature of the upper torso of the Christ
fgure, paying much less attention to the limbs and heads. Of course, in the painting the fgure of Mary was depicted in full dress.


Study for the Central Group of the 'Pavia Pietà' (The Lamentation)
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta) (in circa 1511-1513)
Specifications
Title | Study for the Central Group of the 'Pavia Pietà' (The Lamentation) |
---|---|
Material and technique | Metalpoint, red chalk, squared with metalpoint |
Object type |
Drawing
> Two-dimensional object
> Art object
|
Location | This object is in storage |
Dimensions |
Height 257 mm Width 200 mm |
---|---|
Artists |
Draughtsman:
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta)
|
Accession number | I 563 M 165 (PK) |
Credits | Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940 |
Department | Drawings & Prints |
Acquisition date | 1940 |
Creation date | in circa 1511-1513 |
Collector | Collector / Franz Koenigs |
Internal exhibitions |
De Collectie Twee - wissel II, Prenten & Tekeningen (2009) Fra Bartolommeo (2016) |
Material | |
Object | |
Technique |
Squared
> Squaring
> Drawing technique
> Technique
> Material and technique
Squared
> Squaring
> Drawing technique
> Technique
> Material and technique
|
Geographical origin | Italy > Southern Europe > Europe |
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All about the artist
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta)
Florence 1472/1474 - Florence 1517
Fra Bartolommeo is one of the most illustrious artists of the Italian High Renaissance. Born Bartolommeo di Paolo, he was also called Baccio della Porta. On...
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