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Standing Male Saint

Standing Male Saint

Anoniem (in circa 1450-1520)

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Specifications

Title Standing Male Saint
Material and technique Pen and brown ink
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 124 mm
Width 64 mm
Artists : Anoniem
Draughtsman: Filippino Lippi
Accession number I 489 recto (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1450-1520
Watermark none (vH, 2P)
Inscriptions '52' (verso, lower right, pencil)
Collector Collector / Franz Koenigs
Mark T. Lawrence (L.2445), F.W. Koenigs (L.1023a on removed backing sheet)
Provenance Sir Thomas Lawrence (1769-1830, L.2445), London; Art dealer Samuel Woodburn (1781-1853, L.2584)**, acquired with the Lawrence Collection in 1834; - ; Art dealer Julius W. Böhler (1883-1966), Lucerne; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1929; D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Literature Berenson 1938, no. 1341G (late, St Anthony Abbot)
Material
Object
Geographical origin Italy > Southern Europe > Europe
Place of manufacture Florence > Tuscany > Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Esmé van der Krieke

In this small pen-and-ink drawing, executed in loose lines and short horizontal hatching strokes, a standing figure with his right hand aloft holds his cloak closed with the left. The outlines of the head of a woman drawn in a similar free style appear on the verso.

Berenson identified the figure on the recto as St Anthony of Egypt, and classified the sheet as a late sketch by the Florentine artist Filippino Lippi (1457-1504).[1] It cannot be said with certainty that the drawing actually does represent this saint, and the attribution is moreover very unlikely. Works by Lippi in Florence[2] and New York[3] do show that he also made pen-and-ink drawings with many short hatching strokes, but at the same time they reveal that he drew them energetically and worked them up with more details than is the case in our drawing. In the absence of further clues as to the maker of this drawing, we place it provisionally in the second half of the fifteenth century and early sixteenth century in Florence.  

Footnotes

[1] Berenson 1938, no. 1341g.

[2] Gallerie degli Uffizi, inv. 177 F.

[3] Metropolitan Museum of Art, inv. 68.204.

Show research Italian Drawings 1400-1600
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