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Two Studies of a Male Nude

Two Studies of a Male Nude

Anoniem (in circa 1580-1610)

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Specifications

Title Two Studies of a Male Nude
Material and technique Red chalk, red and brown wash
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 201 mm
Width 261 mm
Artists Draughtsman: Anoniem
Previously attributed: Giovanni Battista Mola
Previously attributed: Grechetto (Giovanni Benedetto Castiglione)
Accession number I 497 recto (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1580-1610
Watermark fragment with feet to the right (12 x 32 mm, above centre, on P5 of 8P, cut half-sheet), very probably Man/Pilgrim type, with stick over shoulder, similar to Briquet 7571, 7574, 7587, 7597 (Piedmont and Tuscany, i.c. Milan 1573, 1580, 1599), also present in a drawing by an anonymous artist late 16th/early 17th century (Lanfiuti Baldi 2001, no. 43, watermark on p. 407, no. 63, p. 436, fig. 104. [AE]
Inscriptions 'Landi' (below right, black chalk), '314' (potlood, omcirkeld, op de verwijderde doublure)
Collector Collector / Franz Koenigs
Mark Anoniem (L.2099), F.W. Koenigs (L.1023a on the removed mount)
Provenance Unknown collection, probably Florence (L.2099); Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1920-1930 (Florentine, early 17th century); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Material
Object
Technique
Red wash > Washing > Wash > Drawing technique > Technique > Material and technique
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Surya Stemerding

This drawing of two seated male nudes in dynamic poses was corrected in the arms and legs as the artist continued working. It is probably two studies of the same model in different poses. The one on the left looks up at his raised right arm, while his companion on the right holds a long stick and looks down. They may be studies for one or more musical angels. The long stick and the pose of the right-hand figure has the look of a musician playing an instrument, perhaps a double bass. The cursory lines below the other figure suggest a cloud, but in that case his wings have been omitted for insertion later on.

On the back of the sheet there are four anatomical studies in red chalk, two of a standing lower part of a skeleton, one of a shoulder and right arm, and another of a lower right leg. They are drawn on top of a black chalk study of a woman’s head in profile.

The drawing was included in the inventory of the Koenigs Collection as Florentine, early seventeenth century. Pouncey later suggested Giovanni Benedetto Castiglione (1609-1664) as the draughtsman.[1] It was later given to Giovanni Battista Mola (1585-1665) or follower. On the evidence of the style of drawing, however, it should be dated in the late sixteenth or early seventeenth century, which is not contradicted by the provenance and rough dating of the paper.

Footnotes

[1] Orally by Philip Pouncey (1910-1990), annotated on mount.

Show research Italian Drawings 1400-1600
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