This drawing was done after a drawing by Rubens, which is also in the Museum Boijmans (inv. no. V 52). It is a detail study for a lost painting of the Crowning with Thorns. There are also four other drawn compositional studies for it and three painted variations of it by Van Dyck. He based it on a painting of the same subject by Titian, the Venetian artist he admired, in which a similar kneeling fgure is depicted in the foreground.

Specifications
Title | Kneeling Man, Seen from the Back |
---|---|
Material and technique | Black chalk, heightened with white, the face reworked in red chalk by a later hand, the torso heightened with yellow |
Object type |
Drawing
> Two-dimensional object
> Art object
|
Location | This object is in storage |
Dimensions |
Height 463 mm Width 270 mm |
---|---|
Artists |
Draughtsman:
Anthonie van Dijck
After: Peter Paul Rubens |
Accession number | MB 341 (PK) |
Credits | From the estate of F.J.O. Boijmans, 1847 |
Department | Drawings & Prints |
Acquisition date | 1847 |
Creation date | in circa 1618-1620 |
Collector | Collector / F.J.O. Boijmans |
Internal exhibitions |
Van Pisanello tot Cézanne (1992) Rubens, Jordaens, Van Dyck en tijdgenoten (2001) De Collectie Twee - wissel VI, Prenten & Tekeningen (2010) |
External exhibitions |
The Young Van Dyck (2012) |
Material | |
Object | |
Technique |
Highlight
> Painting technique
> Technique
> Material and technique
|
Geographical origin | Southern Netherlands > The Netherlands > Western Europe > Europe |
All about the artist
Anthonie van Dijck
Antwerpen 1599 - Londen 1641
Anthonie van Dijck, also called Antoon, worked in Antwerp and London. As a teenager, he worked as assistant to the painter Peter Paul Rubens. In 1620, when he...
Bekijk het volledige profiel