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Head of a Boy

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Specifications

Title Head of a Boy
Material and technique Black and red chalk
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 109 mm
Width 125 mm
Artists Draughtsman: Francesco Bassano (Francesco da Ponte)
Previously attributed: Jacopo Bassano (Jacopo da Ponte)
Accession number MB 937 (PK)
Credits From the estate of F.J.O. Boijmans, 1847
Department Drawings & Prints
Acquisition date 1847
Creation date in circa 1569-1592
Watermark small hunting horn
Inscriptions 'Toegeschreven aan Bassano (Bassano Fransesco da Ponte genaamd) 1548-1591' (verso, centre, pencil); '2047' (verso, centre, pencil)
Provenance Frans J.O. Boijmans (1767-1847, L.1857), Utrecht, bequest 1847
Research Show research Italian Drawings 1400-1600
Literature Cat. 1852, no. 2047; Ter Molen 1999, pp. 154-155, ill.; Agenda 2011, no. 39, ill.
Material
Object
Place of manufacture Venice > Veneto region > Italy > Southern Europe > Europe
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Rosie Razzall

This drawing with its flame-licked edges is one of the few Italian drawings saved from the fire of 1864 in the then Museum Boymans’ former site at the Schielandshuis, Rotterdam. Out of a total of 347 Italian drawings in the museum’s catalogue in 1852, only 19 sheets survived the fire.

In 1852 the drawing was attributed to Francesco Bassano, the eldest son of the Venetian painter Jacopo Bassano (c.1510-1592). Francesco trained alongside his brothers in his father’s workshop. The drawing is difficult to assess fully through the damage it has sustained, but it perhaps gives us an impression of the generally rather low level of quality of the Italian drawings that were lost in the fire. The drawing shows a study of a young boy drawn in black and red chalks, wearing a buttoned coat with a wide collar. Members of the Bassano workshop did make drawings in several colours of chalk, but the Rotterdam study is weak when compared with the more accomplished figure studies attributed to Francesco Bassano in London[1] or New York.[2] In 1970, Felton Gibbons suggested an attribution to the Florentine artist Giovanni Biliverti (1585-1644), whose figure studies and portraits in red and black chalk might be a closer comparison.[3]

Footnotes

[1] British Museum, inv. 1993,0619.2.

[2] Morgan Library & Museum, inv. I, 75a.

[3] See for example a drawing sold at Christie’s, Paris, 18 March 2004, lot 56.

Show research Italian Drawings 1400-1600
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All about the artist

Francesco Bassano (Francesco da Ponte)

Bassano 1549 - Venetië 1592

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