Along with Dürer and Cranach, Matthias Grünewald ranks among the foremost German artists of the sixteenth century. He spent many years as architect, engineer and artist to the Prince-Archbishops of Mainz. Grünewald is best known for the Isenheimer Altarpiece, a polyptych he painted for a monastery near Colmar in Alsace. This retable depicts scenes from the Bible. The style is dramatic and sculptural, with figures in expressive poses and strong contrasts between light and shade. All that remains of Grünewald’s oeuvre are a few paintings and twenty-nine charcoal drawings, one of which is this Virgin and Child. The Virgin is shown with her regalia: a royal crown and sceptre. She is portrayed as the Queen of Heaven. She stands on a cloud, with the moon, representing the firmament, beneath her feet. The infant Christ holds a large imperial globe surmounted by a cross, symbolizing the world. The drawing was a study for one of Grünewald´s three painted altarpieces for Mainz Cathedral, all of which were lost in about 1630. His drawing technique is unusual. He used charcoal, and suggested shadow by smudging it with a stump. Yellow body colour serves to heighten the luminous moon and evoke the glow of moonlight on the Virgin’s robe. [text: Albert Elen]
Specifications
Title | Virgin and Child in the Clouds |
---|---|
Material and technique | Charcoal, smudged, the contours enhanced with charcoal, yellow gouache, fixed |
Object type |
Drawing
> Two-dimensional object
> Art object
|
Location | This object is in storage |
Dimensions |
Height 322 mm Width 268 mm |
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Artists |
Draughtsman:
Matthias Grünewald
|
Accession number | MB 1958/T 29 (PK) |
Credits | Acquired with the collection of D.G. Van Beuningen (former Koenigs collection), 1958 |
Department | Drawings & Prints |
Acquisition date | 1958 |
Creation date | in circa 1509-1511 |
Collector | Collector / D.G. van Beuningen, Collector / Franz Koenigs |
Internal exhibitions |
Van Pisanello tot Cézanne (1992) De Collectie Twee - wissel I, Prenten & Tekeningen (2009) Grote verzamelaars (2008) Rondom Fra Bartolommeo (2016) De collectie als tijdmachine (2017) |
External exhibitions |
Museum Boijmans Van Beuningen @ Rijksmuseum (2023) |
Material | |
Object | |
Technique |
Blending
> Blended
> Drawing technique
> Technique
> Material and technique
Blending
> Blended
> Drawing technique
> Technique
> Material and technique
Fix
> Fixed
> Adding and binding materials
> General technique
> Technique
> Material and technique
Fix
> Fixed
> Adding and binding materials
> General technique
> Technique
> Material and technique
|
Geographical origin | Germany > Western Europe > Europe |
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