:host { --enviso-primary-color: #FF8A21; --enviso-secondary-color: #FF8A21; font-family: 'boijmans-font', Arial, Helvetica,sans-serif; } .enviso-basket-button-wrapper { position: relative; top: 5px; } .enviso-btn { font-size: 22px; } .enviso-basket-button-items-amount { font-size: 12px; line-height: 1; background: #F18700; color: white; border-radius: 50%; width: 24px; height: 24px; min-width: 0; display: flex; align-items: center; justify-content: center; text-align: center; font-weight: bold; padding: 0; top: -13px; right: -12px; } .enviso-dialog-content { overflow: auto; } Previous Next Facebook Instagram Twitter Pinterest Tiktok Linkedin Back to top

Provenance Research

Looted Art in Dutch museums

After the Nazis came to power in Germany in 1933, Jews were persecuted and their property confiscated. This lead to the theft of art on a massive scale preceding and during the Second World War. Vast numbers of artworks were stolen or confiscated. The persecuted could also be forced to sell their treasures for extremely low prices in order to buy basic provisions or to finance their escape to another country. This happened not only in Germany but also in Austria following the Anschluss (annexation) in 1938 and in countries such as France and the Netherlands during the occupation. Via art dealers, auction houses or individuals, some of these stolen artworks found their way into Dutch museum collections, without their knowledge of the works’ dubious provenance. In later years too, museums unknowingly acquired artworks that had been stolen, confiscated or sold under duress during the Second World War.

Research projects on museum acquisitions

Over the past two decades there has been renewed interest in these stolen artworks. In 1998, this led to the launch of the first nationwide research project by the Museums Association into acquisitions in the years 1940-1948. This work is being continued in the current research project Museum Acquisitions From 1933 Onwards, which concentrates on acquisitions in the years 1933-40 and from 1948 to the present day. Museum Boijmans Van Beuningen has participated in both projects and will conclude the project Museum Acquisitions from 1933 onwards at the beginning of 2018. The aim of these research projects is to ascertain whether artworks have been acquired by Dutch museums since 1933 whose provenance raises questions relating to the Second World War. Do Dutch museum collections contain artworks that changed hands between 1933 and 1945 under questionable circumstances? The Museums Association has asked the museums to investigate the provenance of works in their collections in order to create an inventory of objects in Dutch public collections with a provenance that points to involuntary loss of property. 

Provenance Research at Museum Boijmans Van Beuningen

The museum aims for transparency in relation to the provenance of artworks in the collection. Since 2010, information about the provenance research is published on the website pages Museum Acquisitions 1940-48 and Museum Acquisitions From 1933 Onwardsrestitutions resulting from the first research project, ongoing and settled restitution claims, and artworks in the collection with a potentially problematic provenance. These latter works are also published on the website Museum Acquisitions From 1933 Onwards.

Further information 
For further information, please contact the directorate of Museum Boijmans Van Beuningen via the Marketing and Communications department: telephone: +31 (0)10 441 9561, e-mail: pressoffice@boijmans.nl.

 


Disclaimer 
Museum Boijmans Van Beuningen takes the greatest care over the content, compilation and dissemination of the information on this site. Nevertheless, it rejects every and all liability for damage resulting from the incompleteness or inaccuracy of the information supplied. Nor does it accept responsibility for information to which access is provided by links on this website or for the consequences of using such information. Museum Boijmans Van Beuningen endeavours to safeguard the rights of the makers and executors of the works displayed or mentioned on this website. Museum Boijmans Van Beuningen has accordingly done all that could reasonably be expected of it to ensure that such display or mention does not infringe the rights of third parties. Any individual or legal person believing that they can exercise a right to the content of the present site is kindly requested to get in touch with Museum Boijmans Van Beuningen via info@boijmans.nl. Nothing on this site may be copied or used without the express permission of Museum Boijmans Van Beuningen and any entitled third parties.