:host { --enviso-primary-color: #FF8A21; --enviso-secondary-color: #FF8A21; font-family: 'boijmans-font', Arial, Helvetica,sans-serif; } .enviso-basket-button-wrapper { position: relative; top: 5px; } .enviso-btn { font-size: 22px; } .enviso-basket-button-items-amount { font-size: 12px; line-height: 1; background: #F18700; color: white; border-radius: 50%; width: 24px; height: 24px; min-width: 0; display: flex; align-items: center; justify-content: center; text-align: center; font-weight: bold; padding: 0; top: -13px; right: -12px; } .enviso-dialog-content { overflow: auto; } Previous Next Facebook Instagram Twitter Pinterest Tiktok Linkedin Back to top

Surtout pas des principes! Charley Toorop

Charley Toorop (1891-1955) is regarded as the most prominent female Dutch artist of the 20th century. She created an oeuvre that is strong-willed, self-aware and socially committed. Museum Boijmans Van Beuningen presented a large-scale retrospective of her work, displaying 120 paintings, among which sixteen self-portraits.

After an unsuccessful marriage to Henk Fernhout, with whom she had three children, Charley Toorop settled in Bergen. Painting and her artistic calling always occupied a primary position in her life. Her house ‘De Vlerken’ was a meeting place for a select circle of artistic friends, which included Piet Mondriaan, Adriaan Roland Holst and Gerrit Rietveldt. For Charley Toorop, painting was the ultimate form of self-realisation. A perfect example of this is the self-portrait from 1928 that was recently acquired by Museum Boijmans van Beuningen and that was displayed at the exhibition. The retrospective ‘Surtout pas des principes! Charley Toorop’ was accompanied by a richly illustrated catalogue.

The exhibition ‘Surtout pas des principes! Charley Toorop’ was made possible thanks to the support of the Prins Bernhard Cultuurfonds and the K.F. Hein Fonds.