From the very start of her career Yayoi Kusama posed for photographs amid her installations and sculptures. These photographs generated a lot of publicity and focused attention on Kusama as an eccentric artist. Each time she carefully directed the way she was portrayed. On occasions she reclined in her installations like a pin-up model; in other photographs she seems to disappear altogether. The patterns that fill the space continue on her body or on the fabric of her clothes. Kusama regularly exhibited in the Castellane Gallery in New York. She was a much sought-after artist in the Netherlands too. From 1962 onwards she exhibited at Galerie A in Amsterdam, at Galerie Delta and Galerie ’t Venster in Rotterdam and in the Orez gallery in The Hague.
Specifications
| Title | Photograph of collage (1964) by Yayoi Kusama |
|---|---|
| Material and technique | Black and white photograph |
| Object type |
Photograph
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Width 159 mm Height 235 mm |
|---|---|
| Artists |
Depicted person:
Yayoi Kusama
Photographer: Anoniem |
| Accession number | 3647 (MK) |
| Credits | Gift Hans Sonnenberg, 2010 |
| Department | Modern Art |
| Acquisition date | 2010 |
| Creation date | in na 1963 |
| Collector | Collector / Hans Sonnenberg |
| Internal exhibitions |
Yayoi Kusama - Infinity Mirror Room (2011) |
| Material | |
| Object |
All about the artist
Yayoi Kusama
Matsumoto 1929
Directly after arriving in New York in the early 1960s, the Japanese artist Yayoi Kusama took the international art world by storm. She made a name for herself...
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