In the early 1960s, Claes Oldenburg made replicas of food intended for theatrical performances and for sale in ‘The Store’: a shop, studio and installation in one. He delivered art to the man in the street as a product: art that, ‘that does something other than sit on its ass in a museum, […] that embroils itself with the everyday crap’. Later he worked on a much larger scale and made soft versions of hard objects, such as this washbasin.
Specifications
Title | Soft washstand |
---|---|
Material and technique | Vinyl, capok, painted wood and painted metal |
Object type |
Sculpture
> Three-dimensional object
> Art object
|
Location | This object is in storage |
Dimensions |
Height 139,5 cm Width 87 cm Depth 51 cm |
---|---|
Artists |
Artist:
Claes Oldenburg
|
Accession number | BEK 1748 (MK) |
Credits | Purchased with the support of Mondriaan Fund, Rembrandt Association (thanks to its Dura Kunstfonds), Cultuurfonds, municipality of Rotterdam, and VSBfonds, 2006 |
Department | Modern Art |
Acquisition date | 2006 |
Creation date | in 1965 |
External exhibitions |
Claes Oldenburg: The Sixties (2012) (Re)staging When Attitudes Become Form (2013) |
Research |
Show research Digitising Contemporary Art |
Material | |
Object | |
Technique |
Painting
> Painted
> Painting technique
> Technique
> Material and technique
Painting
> Painted
> Painting technique
> Technique
> Material and technique
|
Geographical origin | The United States of America > North America > America |
Geographical origin | Sweden > Scandanavia > Northern Europe > Europe |
All about the artist
Claes Oldenburg
Stockholm 1929 - New York 2022
Claes Oldenburg is of Swedish origin and studied art and literature at Yale University and subsequently, from 1950 to 1954, at the School of the Art Institute...
Bekijk het volledige profiel