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The Family of Darius before Alexander the Great, Prisoners before a Senator

The Family of Darius before Alexander the Great, Prisoners before a Senator

Copy after: Polidoro da Caravaggio (Polidoro Caldara) (in circa 1527-1550)

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Specifications

Title The Family of Darius before Alexander the Great, Prisoners before a Senator
Material and technique Pen and brown ink, brown wash, heightened with white (partly oxidized)
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 157 mm
Width 386 mm
Artists Copy after: Polidoro da Caravaggio (Polidoro Caldara)
Accession number DN 135/32 (PK)
Credits Gift Dr A.J. Domela Nieuwenhuis, 1923
Department Drawings & Prints
Acquisition date 1923
Creation date in circa 1527-1550
Watermark illegible due to wash and white heightening on sheet (vH, ?P)
Inscriptions '133' (verso, centre, black chalk), 'I Caldara / gen Polidoro' (on removed mount, verso, above centre, pencil)
Collector Collector / Adriaan Domela Nieuwenhuis
Provenance Boguslaw Jolles (-1912, L.381), Dresden/Vienna; his sale, Munich (Helbing) 28.10.1895, lot 108 (Polidoro da Caravaggio, DM 11,5); Anon., England; Dr. Adriaan J. Domela Nieuwenhuis (1850-1935, L.356b), Munich/Rotterdam, donated with his collection in 1923 (Polidoro da Caravaggio)
Research Show research Italian Drawings 1400-1600
Material
Object
Technique
Highlight > Painting technique > Technique > Material and technique
Brown wash > Washing > Wash > Drawing technique > Technique > Material and technique
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Surya Stemerding

This drawing combines two scenes copied from frescoes by Polidoro da Caravaggio (1492-1543) in Rome. The paintings were part of a fresco cycle in grisaille that Polidoro da Caravaggio, together with Maturino da Firenze (1490-1528), painted on the façade of the fifteenth-century Palazzo Milesi in Via della Maschera d’Oro in 1526-27. Now, after the devastation during the Sack of Rome (1527) and five centuries of exposure to the elements, these frescoes have essentially disappeared. The compositions have survived, however, thanks to numerous copies by many, mostly unknown artists; the earliest copies were made as soon as the cycle was completed. The popularity of these frescoes among artists was due in part to Polidoro’s fame and in part to the public accessibility inherent in façade decorations.

The scenes in the drawing in Rotterdam are based on the second frieze painted above the first floor windows.[1] The decorative vase on the far left corresponds to one of the vases in the frieze above the second window from the right.[2] The central scene in the drawing is The Family of Darius before Alexander the Great, which appeared in the second frieze between the two right-hand windows on the first floor of the palazzo.[3] The scene of prisoners being led before a senator, at the far right of the sheet, was also on the extreme right in the frieze.[4] In the drawing, however, the ornamental field with two vases and a cuirass that separated the scenes from one another in the fresco has been omitted. Remarkably, we know of several sixteenth- and also seventeenth-century drawings in which the two scenes from this fresco have been combined in exactly the same way, departing from the original façade decoration.[5]

Footnotes

[1] Leone De Castris 2001, pp. 497-98. The copies made after these façade frescoes run into the hundreds in the sixteenth and seventeenth centuries alone. Most of them are anonymous, but copies can also be found in the sketchbooks of, among others, Girolamo da Carpi (1501-1566), Battista Franco (1510-1561) and Giovanni Ambrogio Figino (1553-1608). Even Luca Giordano (1643-1705) and Peter Paul Rubens (1577-1640) made work inspired by Polidoro’s fresco decorations.

[2] Maccari/Iannoni 1876, pl. 38. There is a similar copy after the same vase, but in a different hand, in Paris, Musée du Louvre, inv. 6103; Marabottini 1969, vol. II, p. cliii, fig. 2. The vase has also been recorded in print a number of times, including in Cherubino Alberti’s 1582 set of prints of vases after Polidoro; Bartsch XVII.110.168); Bury 2001, no. 97.

[3] This scene also appears in countless copies, including as plate 5 in a loose-leaf series of six engravings by G.B. Galestruzzi; Fine Arts Museums of San Francisco, inv. 1963.30.37711.

[4] Similar to plate 6 in Galestruzzi’s series (see note 3).

[5] Paris, Musée du Louvre, inv. RF 506; Windsor, Royal Collection, inv. 905479; New York, Metropolitan Museum of Art, inv. 80.3.21 & 68.123.1; Cambridge (Mass.), Harvard Art Museums/Fogg Art Museum, inv. 2002.95.50; Chicago, Art Institute, inv. 1922.507.

Show research Italian Drawings 1400-1600
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Polidoro da Caravaggio (Polidoro Caldara)

Caravaggio circa 1499 - Messina 1543

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