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Study of Standing Bearded Man and Three Young Men

Study of Standing Bearded Man and Three Young Men

Anoniem (in circa 1600)

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Specifications

Title Study of Standing Bearded Man and Three Young Men
Material and technique Black chalk
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 413 mm
Width 262 mm
Artists Artist: Anoniem
Previously attributed: Ottavio Vannini
Previously attributed to: Andrea del Sarto (Andrea d’Agnolo)
Previously attributed: Giovanni Battista Naldini
Accession number I 373 (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1600
Watermark Anchor in a circle surmounted by a six-pointed star, inscribed initials L and M (70 x 44 mm, upside-down, left of center, on P3 van 9P, vH, cropped folio), no similar type with inscribed initials among Briquet 477-529 (mostly Veneto c. 1500-1600), neither in Piccard Online, but very similar (even nearly identical) to the watermark (with inscribed initials L and M) in a drawing attributed to Pier Dandini (Florence 1646-1712) in the Louvre, inv. 16 128, formerly as anonymous Italian 17th c.; Ariane de la Chapelle in Monbeig-Goguel 2005, no. 278, pp. 510-511, fig. 4 [AE 1 June 2021]
Inscriptions ‘25’ (lower right, pencil)
Collector Collector / Franz Koenigs
Mark F.W. Koenigs (L.1023a)
Provenance art dealer Julius W. Böhler (1883-1966), Lucerne; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1929 (Andrea del Sarto); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Literature Berenson 1938, no. 1761A; Berenson 1961, no. 1761 A-3 (Naldini); Freedberg 1963, p. 15 and 260 (Naldini)
Material
Object
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Klazina Botke

The focus in this study is on the lavish draperies worn by a bearded man. He is shown full length in a voluminous garment as he leans against a balustrade or wall. He is loosely clasping a stick in his right hand. His garb, bare feet and full beard suggest that he is a prophet or another biblical figure. Behind the balustrade, and shown in less detail, are three other figures. One of them has turned his head towards the old man, as if they are having a conversation. The scene is probably a fragment of a larger composition, but it is not clear whether it is a copy after an existing work or a preliminary study for a painting.

Koenigs acquired the drawing as a work by Andrea del Sarto (1486-1530). Freedberg (1963), though, believed that it was more likely to be a free copy after Del Sarto by Giovanni Battista Naldini (1537-1591). That attribution was based on the idea that this drawing and three other red chalk studies in the Koenigs Collection were a group of copies after Del Sarto’s frescoes in Florence.[1] This particular sheet, though, is clearly by a different hand, and also cannot be linked to an existing painting by the master. As the style of drawing does not match Naldini’s work, either, it can best be described as Florentine c.1600.[2] Catherine Monbeig Goguel recently suggested that it could also come from the circle of Giovanni Battista Vanni (1599-1660) or Ottaviano Vannini (1585-c.1643).[3]

Footnotes

[1] See inv. I 112 (after a fresco in the Chiostro dei Voti), and I 113 and I 114 (after frescoes in the Chiostro dello Scalzo). Freedberg 1963, p. 15 and p. 260.

[2] Annotations on the old passe-partout: 'Andrea del Sarto' (Lütjens), 'late Flor. 16th c.'(?), 'late 16th c. Sienese' (Bambach), and 'Naldini? (Ger Luijten [?]).

[3] E-mail correspondence on 16 June 2021.  

Show research Italian Drawings 1400-1600
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