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Landscape with Ducks

Landscape with Ducks

Anoniem (in circa 1590-1600)

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Specifications

Title Landscape with Ducks
Material and technique Pen and brown ink
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 127 mm
Width 174 mm
Artists Artist: Anoniem
Previously attributed: Francesco Bissolo
Previously attributed: Annibale Carracci
Previously attributed: Agostino Carracci
Accession number I 409 (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1590-1600
Watermark possible fragment, illegible (vV, 4P)
Collector Collector / Franz Koenigs
Provenance Dominique-Vivant Denon (1747-1825, L.779), Paris; his sale, Paris (Perignon) 01.05.1826, lot #; - ; Wilhelm König (1880- 1955, L.2653b), Vienna; #his sale?; Art dealer Julius W. Böhler (1883-1966), Lucerne; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1929 (Francesco Bissolo); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Literature Heinemann 1962, no. S 63, fig. 361 (Bissolo)
Material
Object
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Gert Jan van der Sman

Franz Koenigs acquired this drawing as the work of Francesco Bissolo (1470-1554) in 1929. Heinemann accepted this in his standard work on the followers of Giovanni Bellini (c. 1430-1516) (1962), but without going into the drawing style and the possible place of the work in the artist’s oeuvre.

At present there is only one known drawing that can be securely attributed to Bissolo. It is a portrait study of the donor of the altarpiece with St Justina, John the Baptist and St Barbara in Treviso Cathedral.[1] A second drawing associated with this altarpiece is attributed sometimes to Bissolo, then again to Lorenzo Luzzo (c.1467-1512).[2] It shows the three saints against the background of gently sloping hills. The outline of the hills and the foliage of the vegetation on the sheet in question are drawn with short, sharp lines. The execution of the landscape thus differs considerably from that in the Rotterdam drawing, which is characterized by a loose manner.

In 1963 Curtis O. Baer put forward the possibility that the drawing discussed here was of a later date and was made by Agostino (1557-1602) or Annibale Carracci (1560-1609).[3] The swift, cursory rendition does indeed indicate a date of around 1590-1600. However, the handling is not lively enough to justify an attribution to either of the Carracci brothers.

Footnotes

[1] Florence, Gallerie degli Uffizi, inv. 1460; Rearick 1976, no. 14. The drawing in New York attributed to Bissolo by Hans Tietze and Erica Tietze-Conrat (Morgan Library & Museum, position number It. 15.2; Tietze/Tietze-Conrat 1970, no. 373) is no longer in his name; see Morgan Library & Museum, inv. 140988.

[2] Venice, Gallerie dell’Accademia, inv. 15. See respectively Tietze/Tietze-Conrat 1970, no. 374 (Bissolo?); Rearick 1976, under no. 14 (Bissolo); Romani in: Pordenone 2000, p. 140 under no. 29 (Lorenzo Luzzo).

[3] In a letter of 28 September 1963.

Show research Italian Drawings 1400-1600
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