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Study of a Leg

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Specifications

Title Study of a Leg
Material and technique Black chalk
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 280 mm
Width 199 mm
Artists School of: Michelangelo Buonarroti
Maker: Anoniem
Accession number I 552 recto (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1525-1575
Collector Collector / Franz Koenigs
Provenance Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1931 (School of Michelangelo Buonarotti); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Material
Object
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Rosie Razzall

This previously unpublished drawing depicts a study of a leg seen from below in black chalk on the recto, with a few lines nearby to indicate the study of a head. On the verso of the sheet are three standing nude figures: a saint with a crucifix in his left hand, and at a smaller scale a male figure with hands clasped, perhaps in the pose of a Baptism of Christ, and a female nude. These figures have been drawn first in black chalk, and then reinforced in pen and ink in hatching around the contours.

The drawing was acquired by Franz Koenigs as ‘school of Michelangelo’, an attribution based on the leg study on the recto rather than the figures on the verso. Michelangelo prepared limb studies in chalk or pen and ink for his fresco of The Battle of Cascina and other projects, for example a drawing of arms and shoulders in Vienna. It is probably a working sheet by one of his many followers whose identity is impossible to determine. At some point in the drawing’s history, the three figures on the verso were preferred, as the sheet was trimmed carefully to accommodate the feet of the saint at far left. The tight hatching around the figures also recalls Michelangelo’s widely imitated early penwork, but these figures have not been related to any project, and they may be of a later date.

Footnotes

Show research Italian Drawings 1400-1600
Show catalogue entry Hide catalogue entry

All about the artist

Michelangelo Buonarroti

Caprese 1475 - Rome 1564

Michelangelo was undoubtedly one of the best known and most successful artists of the Italian Renaissance. A painter, a sculptor, a poet and an architect, he...

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